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The album Graffiti Jazz received a 5 star review by the prestigious German Jazz magazine Jazzthetik.

“Once an avid sprayer (hence the album title Graffiti Jazz), Rembrandt Frerichs (44) now teaches at the conservatory and curates concerts (when they are allowed to take place). With Tony Overwater (b) and Vinsent Planjer (dr), the Dutchman leads a trio that has been celebrated for years. The trio’s new album aims to translate the cheeky euphoria of graffiti street art directly into jazz: Unbridled motorik is the trump card. The musical inspiration for these clanking, machine-like, galvanized rhythms could be found in speed metal, but also in Bulgarian wedding dances, rattling clockworks or perhaps even a newly and differently heard Johann Sebastian Bach. What drummer Planjer does here, with cymbals, rattles, bells, and other metal parts, is reminiscent of a clattering, over-the-top mechanical contraption.
Ingeniously, though, this crazy motorwork combines with great improvisation, even swing (“The Big Over Easy”) or a Paul Simon song – “50 Ways to Leave Your Lover” has never had so much funk.
To take a breather, there are two ballads, one of them with the most beautiful of all Brahms themes.”
Hans-Jürgen Schaal